What kind of person am I? A Tale of Two Cities update

Maybe my 6th-grade teacher was right, and I shouldn't have written quite so effusively about A Tale of Two Cities before finishing the book.

As my literary experiment limps on, I am coming to the conclusion that I just don't much like to read classic adult fiction. After my previous post on the book, I let A Tale of Two Cities sit in the trunk of my car for two months, then picked it up again during one of E's band practices.

Did I previously write that Lucie Manette is "a little too diminutive"? That was mighty generous of me. She's so sincere and delicate and at-the-service-of-others that she's hardly human. She's earnest and pretty and boring.

I had high hopes for this book, especially following The Scarlet Letter. Where Hawthorne is just mean, Dickens is amusingly snarky. For example, whereas Hawthorne repeatedly harps on his Custom-House colleagues for tipping their chairs backward and snoozing their mind-numbingly dull days away, Dickens more vividly and cheerfully compares bankers to cheese:

Cramped in all kinds of dim cupboards and hutches at Tellson's, the oldest of men carried on the business gravely. When they took a young man into Tellson's London house, they hid him somewhere till he was old. They kept him in a dark place, like a cheese, until he had the full Tellson flavour and blue-mould upon him. Then only was he permitted to be seen, spectacularly poring over large books, and casting his breeches and gaiters into the general weight of the establishment. (Dover Thrift Edition, 1999, p. 40).

When Dickens coined the adverb "adverbiously," I practically swooned:

Charles Darnay had yesterday pleaded Not Guilty to an indictment denoucing him (with infinite jingle and jangle) for that he was a false traitor to our serene, illustrious, excellent, and so forth, prince, our Lord the King, by reason of his having, on divers occasions, and by divers means and ways, assisted Lewis, the French King, in his wars against our said serene, illustrious, excellent, and so forth; that was to say, by coming and going between the dominions of our said serene, illustrious, excellent, and so forth, and those of the said French Lewis, and wickedly, falsely, traitorously, and otherwise evil-adverbiously, revealing to the said French Lewis what forces our said serene, illustrious, excellent, and so forth, had in preparation to send to Canada and North America. (pp. 46-47)

But somehow the excitement dropped off somewhere in France, especially as attention turned to the solemn and rather boring love between Lucie Manette and Charles Darnay. Thus I hid the book in the trunk.

Upon retrieving it, I wondered why on earth a teacher would offer this text to 11-yr-olds. The language is occasionally so oblique that even as a 46-yr-old skimmer, I'm not entirely certain I'm understanding it correctly. I picked up that Charles wanted to marry Lucie, and then that Charles was indeed going to marry Lucie, and then that they were married and off on their honeymoon; and then in the course of a page or so (pp. 161-162), I thought I read that Lucie maybe nearly died during pregnancy or childbirth, and they had a daughter, and then also a son, but the angelic boy died as a young child. What? Did I read that right? I re-skimmed the pages and still wasn't sure, so I tried googling for confirmation.

That was a mistake, because instead of finding confirmation, I found a SPOILER that indicates that the interesting, clever, revolutionary, strong female character--Madame Dufarge--is "the villainess in the novel," and as such, is going to get bumped off by Lucie Manette's proxy, Miss Pross. I haven't gotten far enough into the book to understand that Madame Dufarge is "a monster"--just far enough to admire her involvement in espionage and observant knitting. Dang.

This reminds me of another book I read (and actually enjoyed): Gregory Maguire's Lost (2001). I don't remember much about the book, other than that it had something to do with Dickens and Scrooge and ghosts or some such, but I do remember really liking the female protagonist, Winifred Rudge. The edition I owned had some questions for reading groups, and I recall one of the questions saying something along the lines of, "Many readers find Winifred Rudge to be extremely unlikable blah blah blah"--which made me wonder what kind of person I must be if I liked her. And here I am, enthusiastically preferring Madame Dufarge to the feminine ideal of Lucie Manette. Oh dear, oh dear, and I still have 130 pages to go.