


where triple modals are the norm


*If I were advising the happy couple about musical selections, I would suggest that if they really wanted it, Pachelbel's Pachelbel Canon in D is way better than Mozart's Pachelbel Canon in D; and also that a wedding march by the antisemitic Wagner is maybe not the best choice for a Jewish wedding. Just saying.
Here are JM and I in our sweaty post-race glory. On our team of 20, we were the sole competitive 5Kers this morning at the Raleigh Race for the Cure. Other Team Amazing Us members did the recreational 5K or the Sleep-In-for-the-Cure. J didn't beat her personal best, but she did manage to sleep until a respectable 9:30am, while L stayed in bed until an impressive 10:30am.
I belatedly learned about diatoms over a year ago, but it wasn't until just the other week that I learned about radiolarians. I was leafing through some junk mail--the Dover catalog of children's books--when I came across Haeckel's Art Forms from the Ocean.* Thank you, junk mail! The Dover blurb states, "The tiny single-celled organisms known as radiolarians (or radiolaria) develop beautiful, intricate mineral skeletons that cover ocean floors throughout the world." Radiolarians? Spherical skeletons with lacy holes and spikes? Whoowee! Diatoms gone wild!
I also googled Haeckel and learned that he faked illustrations of embryos in order to support his ideas about evolution, and that those fake illustrations have made their way into assorted contemporary biology textbooks. Perhaps he faked a few radiolarians as well; indeed, it's hard to believe he had real life sources for such fantastic microscopic skeletal remains as these:
While much radiolarian art on the interwebs is created using 3D printing (which, I dunno, kinda seems like cheating), one Bavarian ceramicist, Gerhard Lutz, hand builds exquisitely delicate porcelain radiolarians that put my wheel-thrown ones to shame.
No, no, no. This is not what an arm should look like. This arm is wrapped in a splint from the armpit to the palm because the ulna broke on Thursday during an improper alignment of the stars at the bottom of a slide on a school playground immediately following three long, mind-numbingly boring mornings of End-of-Grade exams (boo, evil consequences of No Child Left Behind, I say, boo!). The human to whom this arm belongs is understandably not a happy camper, but is doing better with each day and looks forward to trading the splint for a cast.
When I was a kid, my mom's parents had a toy they called a bullshit grinder. I just assumed my grandfather made up the name, but it turns out the term "bullshit grinder" is as classic as the toy itself.
My dad recently sent me this photo of the Flentrop manuals at Duke Chapel, in an email with the subject header "reminder." So amidst all the clay geek toys (and extra Holy Week and Easter services), I should report that I've been reasonably diligent about practicing the Dupré Variations. I took them for a test spin in a lesson with David A. on the Aeolian organ at Duke Chapel last week, and they didn't sound anywhere near as maliciously capricious as they did when I first started avoiding them. Indeed, it was amazingly informative and liberating to play them on such an expansive instrument. I'd even go so far as to say quite enjoyable. There's hope for me yet.
I spent a few nights this week dreaming about more elaborate spirals: although three is a magic number, a threefold spiral does make a torus look a little like a nuclear radiation warning symbol. My dreaming subconscious thought perhaps a twelve-fold spiral would look cool. It turns out that that number of twists makes a torus look like a cinnamon cruller, a so-called food I have detested since my earliest youth. Very unappetizing. It took me by surprise that cutting a torus into a spiral turns it into a spring: the spring will actually expand, contract, sag, wobble, and distort, at least until it sets up beyond the cuttable side of leather-hard. It was no great loss, then, that with all that wiggling, my twelve-fold cruller torus broke into several pieces today. Good riddance.
I'm getting closer to decent wheel-thrown Borromean rings, though I'm still pretty sure coils are a better way to go. I could probably crank out a few hundred coil Borromean rings in the time it takes to make one set on the wheel. Nonetheless, efficiency isn't everything, and the process has reminded me of some useful tidbits. Listen up, class: (1) wet tori squish more easily than firm tori, so trim and squish them when they're as wet as possible; and (2) nothing disguises unsightly bulges better than hundreds of hand-cut holes.




The egg in the plush cotton ball blanket turned out to be our sacrificial lamb, paving the way for our two survivors. We figured two out of three wasn't bad (litotes!).
Desdemona and Roxanne were a little dubious about the breakfast options, while the waitstaff were a little dubious about our photo shoot. You'd think the restaurant had never served chickens before.
After a restful pause to read magazines in the children's section, we continued on to the exquisite Art Institute. A guard outside told E to stay off the bronze lions, but no one challenged the chickens.
That wasn't the case inside the museum, however. Although the Art Institute permits the use of cameras without flash, one guard seemed nervous about our photographic activities. I explained that we were tourists on vacation from North Carolina, which apparently satisfied him. We spent several hours enjoying the art, and were particularly impressed by the bright airiness of the Modern Wing, which had been under construction the last time we visited.



