Artists' statements

I am visiting my parents in Urbana, Illinois, where, this afternoon, I spent some time reading through writings by my brilliant grandmother, Lorraine Passovoy, a.k.a.. Woozy. An accomplished artist (among other things), Woozy had a keen understanding of the international arts scene, as demonstrated by her prose in the two biographical artists' statements transcribed below. For all of you artists who think modern artists' statements have become too academic, think again: Woozy penned these two in 1964.

Alas, the only evidence we have of A. Pauling Walter's expansive canvasses is their depiction on the cover of a New Yorker magazine; however, my family owns the original oil painting (also depicted on the cover) by Finessa Foosy.

VILLKOR-MACH II*

A. Pauling Walter

This major work symbolizing the internal nature of the external, is typical of the eternal yet transitory divarication of limited infinity. The limited palette of black and brown subtly suggests the total range of tonality from infra-red through x-rays.

The artist is well known as the folk hero whom Jack and Jill went up the hill to fetch.

[*"Villkor" is Swedish for "Conditions." Woozy was a polyglot before the days of Google Translate. --Ed.]

L'IMAGE
Finessa Foosy

Miss Foosy, or Miz Finesse, as she is known to her kinfolk in Langerhans County, is famous throughout her native state for having won 185 consecutive blue ribbons for her fancy work at the highly competetive Beaver's Pancreas township fair. Since her eyesight began to fail, she has taken up painting and, as her mother says, "she shore do mess up the kitchen."